Sweetest Love, I Do Not Goe
by John Donne
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A tender parting lyric in which John Donne, the founder of Metaphysical Poetry, comforts his beloved (his wife Anne More) on the eve of a necessary journey. He assures her that he is not leaving out of weariness or hope of a 'fitter' love, but wants to treat their temporary parting as a mock-death, a rehearsal, 'in jest', for the real death he must one day face. Using a metaphysical conceit, he points out that the sun, which set 'yesternight', is already back today, and promises that he, driven by human passion, will return even faster, with 'more wings and spurres' than the sun. He laments how feeble human power is, unable to add or recall an hour of good fortune, yet quick to strengthen misfortune by worrying over it. He begs her not to weep or sigh, for her grief wastes his very 'lifes blood' and soul, and not to let her 'divining heart' foresee any ill lest destiny fulfil it. Their parting, he says, is merely being 'turn'd aside to sleepe'; since true lovers keep each other alive in their hearts, they can never truly be parted.
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John Donne is celebrated as the pioneer and founder of Metaphysical Poetry. This poem is a parting lyric written to comfort his beloved (historically his wife, Anne More) before his journey to Europe.
Reassurance against separation
The speaker tenderly addresses his beloved on the eve of a necessary physical separation. He dispels her anxieties, saying his departure is not out of weariness or boredom of her, nor because he hopes the wider world can offer him a more suitable or 'fitter' love. Since human death is inevitable and he 'must dye at last', he wants to treat this temporary separation as a mock-death, using himself 'in jest' through 'fain'd deaths' to master the fear of ultimate, physical demise.
The conceit of the sun
To illustrate the certainty and speed of his return, Donne employs a classic metaphysical conceit involving the sun. The sun set 'yesternight' and is already back 'here to day'. He argues that if the sun, which lacks human desire, intellect, sense or short-cuts, can complete its journey so reliably, his beloved should have no fear. His own return will be infinitely faster, because he possesses intense human passion and 'desire', taking 'more wings and spurres' than the sun.
The frailty of human power and the toll of grief
Donne laments that human power is incredibly 'feeble'. When good fortune comes, we cannot add a single hour to our lives nor recall a lost hour; yet when 'bad chance' strikes, we foolishly join our strength to it, teaching it 'art and length'. By over-analyzing and worrying, we let misfortune triumph over us.
He then describes the deep physical bond between them: when she sighs, she does not blow away mere wind but 'sigh'st my soule away', and when she weeps, his own 'lifes blood' decays. He gently chides her that if she truly loves him she must not waste his life-force through excessive sorrow.
Destiny and eternal oneness
He begs her not to let her 'divining heart' foresee any ill during his journey, warning that destiny might take her part and fulfil those fears. Instead, he urges her to think of their separation as merely lying in bed together, 'turn'd aside to sleepe'. Because they keep each other alive in their hearts, true lovers can never truly be parted.
