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2nd PUCOne-act Play (Comedy)

A Sunny Morning

by Serafin and Joaquin Alvarez Quintero

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  • Main Idea: Two former lovers, now in their seventies, meet by chance in a park in Madrid but hide their true identities to preserve the romantic memories of their youth.
  • Main Characters: Dona Laura (handsome old lady) and Don Gonzalo (impatient, gouty old man).
  • Key Event: They argue over a park bench and scaring birds, then bond over a pinch of snuff and reading poetry.
  • The Reveal: They recognize each other as the "Silver Maiden" and the "gallant lover" of Valencia but spin elaborate lies about their "friends" dying to avoid showing their aged selves.
  • Theme: The transience of physical beauty vs. the permanence of romantic illusions.

Detailed Summary

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"A Sunny Morning" is a light-hearted comedy set in a retired corner of a park in Madrid during a sunny autumn morning. The play begins with Dona Laura, a refined, white-haired lady of about seventy, entering the park leaning on her maid, Petra. She sits on her regular bench and begins feeding breadcrumbs to pigeons, whom she calls "spryest" and "gluttons". Her peace is interrupted by Don Gonzalo, an old gentleman who is "gouty and impatient". Gonzalo is furious because his usual bench is occupied by three priests. In his frustration, he walks toward Laura's bench, scaring away the birds she was feeding. This leads to a sharp verbal duel where Laura calls him an "ill-natured old man" and Gonzalo retaliates by calling her a "senile old lady".

The tension begins to dissolve when Gonzalo, trying to find a way to kill time, takes out a book of poems. To see the text, he uses an enormous pair of glasses and a magnifying glass, which Laura mocks as a "telescope". They eventually bond over a pinch of snuff, which causes them both to sneeze three times alternately. After the sneezing fit, they become friendly and Gonzalo begins reading poetry aloud from Campoamor. Their conversation turns to the city of Valencia, and they realize they both have a shared past there.

As they talk, they both experience a moment of sudden realization: they were the legendary lovers of forty years ago, the "Silver Maiden" of the villa Maricela and the "gallant horseman" who used to pass under her window. However, neither wants to reveal their current, aged, and "grotesque" selves to the other. Instead, they fabricate heroic stories. Gonzalo claims the lover was his "cousin" who died in a trench in Africa grasping the Spanish flag. Laura claims the Maiden was her "best friend" who drowned herself in the sea after writing her lover's name in the sand.

In reality, Laura had married another man two years after the incident, and Gonzalo had run off to Paris with a ballet dancer just three months later. Despite knowing the other is lying, they continue the "farce" to protect their romantic pride. As the day ends, they agree to meet again the next day if it is sunny. The play concludes with them smiling at each other, seeing the "ghosts" of their younger selves through their servants' arms.